mm x 181.5 mm x 287.0 mm (With the accessories (lens hood, large eyecup, XLR handle unit) , excluding the grip belt and including the projecting parts)

mm x 104.0 mm x 274.5mm (With the accessories (lens hood, large eyecup), excluding grip belt and including projecting parts) Just about every aspect of the autofocus system can be customised in the camera menu. You can choose between using focus zones, the full image width or selectable focus spot areas. The cameras LCD screen is a touch screen so you tap the screen where you want to focus. The sensor also gives you low noise and less blur because more light reaches the sensor, offering clear and steady pictures even in a dark scene with minimum illumination 1.7 lux. XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking. As well as bringing a nice improvement in image quality over the X70 (which is pretty good already) the new sensor brings a vastly improved autofocus system. There are 273 focus detection points which are combined with faster readout, faster on sensor processing and the same AF processing technology as used in the flagship Sony A9 stills camera. This brings a really remarkable autofocus system to this camera. The AF system is a newly developed hybrid system that combines phase detection AF with new algorithms created specifically for video rather than stills photography. At last this is an autofocus system that really works for a video camera. It is intelligent and responsive. There is no hunting for focus, it just seems to get on with the job.So, now I’ve explained about my budget I’ll tell you about the models and brands I was reading about for the last 3 month (yes, is not easy, much money and most of the concepts I’ve found are new for me).

Ajit – they are two such totally different cameras that the choice comes down to your purpose. For live events in reasonable light I’d probably choose the Z90 for it’s extended zoom range, XLR in, SDI out and wi fi capabilities. It’s also going to be a lighter weight and simpler kit as you won’t need anything much else but spare batteries and a tripod and a few cables. Perhaps a shoulder rig if you really want one but it’s not really that form factor. Think of it like a handheld ENG camera. Also has a screen which flips around for self shooting. XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile, XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile, XAVC Proxy : MPEG-4 AVC/H.264 4:2:0 Long profile, MPEG HD422 (CBKZ-SLMP required) : MPEG-2 422P@HL 4:2:2 Long profile, AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible The XAVC Long format uses the efficient MPEG-4 AVC/H.264 codec to achieve high quality imagery without increasing the level of required storage capacity. Its 4:2:2 10bit (Full HD mode) sampling process ensures detailed expression of tone and high colour reproduction. The XAVC Long format also supports the professional MXF standard. This means it can be easily used alongside any standard workflow, from a videographer working alone to a production environment sharing content across multiple users. What are the key advantages of using the XAVC S format? (NX80 only) XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breakingWired LAN connection allows the PXW-Z90 to be connected to the internet over a wired connection via the separately available VMC-UAM2 USB adapter cable and network adaptor kit (CBK-NA1), allowing files to be streamed or transferred by FTP

So, I found the PXW-Z150. But, again, disappointed by the negative comments about it, especially its bad performance in low light. The XAVC S format enables high image quality while supporting various workflow and applications thanks to the flexibility of using an MP4 format. When shooting in 4K, the format supports a bitrate of up to 110Mbps (when shooting in HD the format supports a 50Mbps bitrate). The PXW-Z90 comes with 5GHz* and 2.4GHz Wi-Fi as standard – simply turn on and log onto your preferred network to enable a host of advanced wireless production features:

Often compared with

The limit is 2600-2800 USD. It would be nice if I could find something nice for that price, but until now I’m not finding anything. So, my new limit, in case I need to get this far, is the Sony HXR-NX5R (USD 3400 here in Argentina). The cameras gain, shutter and iris functions each have a dedicated button on the side of the camera. One push of the appropriate button enables that function to be controlled by a small dial wheel just under the front of the lens. RTMP/RTMPS live streaming supports sharing to major online video platforms such as YouTube Live, Facebook Live, Mudu.tv and more (with CBKZ-SLNW1 and V4 or higher firmware) XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile, XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile, XAVC Proxy : MPEG-4 AVC/H.264 4:2:0 Long profile, MPEG HD422 (CBKZ-SLMP required) : MPEG-2 422P@HL 4:2:2 Long profile, MPEG HD420 (CBKZ-SLMP required) : MPEG-2 MP@HL 4:2:0 Long profile, MPEG HD Proxy (CBKZ-SLMP required) : MPEG-4 AVC/H.264 4:2:0 Long profile, AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible