The Living Mountain (Canons): A Celebration of the Cairngorm Mountains of Scotland: 6

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The Living Mountain (Canons): A Celebration of the Cairngorm Mountains of Scotland: 6

The Living Mountain (Canons): A Celebration of the Cairngorm Mountains of Scotland: 6

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Even though it is so short, Shepherd still manages to covey the sense of place, the beauty and the wildness of the Cairngorms with such amazing brevity. The prose is lyrical and poetic with an incredible eye for detail, as she describes the colours of the earth and heathers or the pure quality of the streams and rivers, or the luminosity of the light. The Living Mountain" is poetic prose in praise of the Cairngorm Mountains of northeastern Scotland. It's nature writing with a philosophical feeling to it. Nan Shepherd started exploring the Cairngorms at an early age, and continued mountain walking until she was aged. Although she was well-traveled, she always returned to her home near the eastern side of the mountain range. Shepherd had climbed its peaks, but she seemed to draw more pleasure from the plateau--observing wildlife, exploring the lochs, and following springs to their natural source. She was a very observant person who often took in the activity of the natural world while she maintained stillness. Shepherd wrote descriptions that use all the senses in appreciating the beautiful, but sometimes unforgiving, mountains. That is not to say that you, whomever is reading this review, would feel the same way. You, who is an individual in your own right, who sees nature in your unique way and who reacts to prose work with distinctly differing reflections.

Where was my epiphany? I am sure it said on the tin that I was due one and I feel rather ripped off. In 2017 a commemorative plaque was placed outside her former home, Dunvegan, in the North Deeside Road, Cults. [18] See also [ edit ] Shepherd’s book records – with luminous precision – details of the Cairngorm world: ‘the coil over coil’ of a golden eagle’s ascent on a thermal, a pool of ‘small frogs jumping like tiddly-winks’, a white hare crossing sunlit snow with its accompanying ‘odd ludicrous leggy shadow-skeleton’.

Most works of mountain literature are written by men, and most male mountaineers are focused on the goal of the summit. Shepherd, however, goes into the Cairngorms aimlessly, "merely to be with the mountain as one visits a friend, with no intention but to be with him". "I am on the plateau again, having gone round it like a dog in circles to see if it is a good place," she begins one section, "I think it is, and I am to stay up here for a while." These adverts enable local businesses to get in front of their target audience – the local community.

Shepherd subsequently lectured for the Aberdeen College of Education. [4] She retired from teaching in 1956, but edited the Aberdeen University Review until 1963. The university awarded her an honorary doctorate in 1964. [5] She remained a friend and a supporter of other Scottish writers, including Neil M. Gunn, Marion Angus and Jessie Kesson.Just as Rachel Carson was preparing to sound her courageous clarion call for protecting nature from political and commercial exploitation across the Atlantic, Shepherd adds a cautionary lamentation: In 1945, Nan wrote a part-memoir, part-field study of the Cairngorms, The Living Mountain, although it was not published until 1977. Today, the book is described as “one of the finest books ever written on nature and landscape in Britain”. Yet Elise, 30, was determined to make her adventure as authentic as possible. Her aim was to follow in the footsteps of the late Nan Shepherd, the trailblazing Scottish hillwalker and writer in the early to mid 20th century.

Shepherd sent it off once, received a polite letter of rejection, and then left it in a drawer until 1977, when Aberdeen University Press printed a small edition. And there it might have been forgotten, but Robert Macfarlane was introduced to it by "a former friend" (as he rather darkly puts it). "I read it, and was changed," he says in his first-rate introduction (I can think of no higher praise than to say it stands up to Shepherd's prose). Shepherd, Nan (2011). The living mountain: a celebration of the Cairngorm mountains of Scotland. Edinburgh: Canongate. ISBN 978-0-85786-183-2. OCLC 778121107.You can also become a spontaneous supporter with a one-time donation in any amount: GIVE NOW BITCOIN DONATION a b c Ali Smith, "Shepherd, Anna (1893–1981)", Oxford Dictionary of National Biography, Oxford University Press, 2004, Retrieved 22 December 2013. Partial to Bitcoin? You can beam some bit-love my way: 197usDS6AsL9wDKxtGM6xaWjmR5ejgqem7 CANCEL MONTHLY SUPPORT

If you read it, you too will feel changed. This is sublime, in the 18th-century sense, when landscapes like these were terrifying. And she achieves it in language that is almost incantatory, like a spell: "... birdsfoot trefoil, tormentil, blaeberry, the tiny genista, alpine lady's mantle ..." runs one short list of the local flora, and it was only on rereading that I realised I had never heard of one of these flowers before, or could tell what they looked like.Elise says, “I also walked to many of the high summits, including Ben Macdui, and discovered glorious paths and views. I watched tiny frogs hop between streams and deer chewing on grass.



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