If you come to the cable part, the blon brand has deviated from its classical line and put a good cable in the box. The treble comes across as nicely expansive and full of good details, the mid range sounds forward and lively, and the bass responds with enough warmth to make up for the natural timbre that permeates the entire mix. The increased sense of dynamics, brightness, transparency and clarity bring more separation and a more ethereal feel to the C3 scene.

It is clear that the cable and its shiny copper colour have raised the quality of the set, and the more common capsule design also helps, both in terms of ergonomics and attractiveness. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others.You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. Linsoul Audio will not be responsible for parcels that have been damaged during the transit process. Cons: The mids have a certain veil, their timbre is somewhat dark, lacking clarity and transparency. Thus, although the performance is predominantly front-firing, there is a good lateral range that does not exceed 180 degrees, although there is a good level of presence on both sides. They are lightweight and the shape fits well, meaning I experienced no discomfort even after hours of wearing them.

In fact, the Z300 graphs very similarly to some other models that I have enjoyed (and some that I haven’t). In terms of details, it delivers macro details and even some micro details well, while the phone's resolution is good, but nothing more. I have to say, unlike Crinacle, who are very strict with his target signature, HBB took a wider range of sound signatures, ranging from neutral-balanced like the Tangzu Heyday or Tripowin Olina, warm-dark like QKZ x HBB, V-shaped with KZ X HBB PR2, and more. The C2 and the Khan are either perceived as being more airy and lean or as being overly spirited or forward. The stringed instruments sound slightly warmer than they should while the female vocals I still like anyway.

The same can be said for the bass guitar in “ Bombtrack”, although I did find the kick drum to be a little too present on this track. On the other side of the coin, it can work well for vocals that are overly harsh in these ranges, such as Beth in “ Don't You Worry Child”, who comes across a lot tamer on the Z300, although it does dull the piano of the song a little at the same time.